Despite the misleading, Scandinavian-sounding name, Agalloch are in fact from the Pacific Northwest, an area more associated with the grunge era than folk-tinged metal. Yet Agalloch summon the same desolate, eldrich spirits as their Northern European counterparts, making for an epic, solemn affair.
Ashes Against The Grain, the band's third full length, once again has the critics and pigeon-holers scratching their heads. It's a mix of folk, post-metal, black metal, prog, without naturally falling into any category - a bit like Opeth. Indeed, the comparisons with the Swedish legends don't stop there - indeed, they could be seen as the American version of them. The album starts off in divine fashion - gorgeous progressions, flowing effortlessly and convincing the listener from the offset. Rasping and haunting vocals, punchy yet soothing guitars, epic song titles (This White Mountain on Which You Will Die) - all positive signs. Yet one's interest level doesn't sustain beyond even halfway through the album. The lead guitar work is somewhat lacking - the melodies are flat and unimaginative in many places, leaving one wanting. Long, languorous instrumental passages pepper the album, which do little for the overall feel of the music.
The potential is there, but the execution isn't. Agalloch may have mountains of critical acclaim but on this record I feel this praise isn't justified.
7/10
Highlights : "Limbs", "Falling Snow ".
See also - Opeth, Alcest, Fen.
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